Most of those who visit this site love to read and write, and although for many, this time of year is hectic, I want to hear what you’re working on and reading. Give us a quick summery of your writing and the name and author of the books you love best that you’ve read so far this summer.

Happy reading and writing.

Bookmark This

Sarah is writer looking for an agent. She is currently working on novel # 4, editing novels 2 and 3, and querying novel # 1. For more insight to her work, visit: http://legendoftheprotectors.wordpress.com/ or http://legendoftheprotectors.blogspot.com/

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Writing Routines

“If you write one story, it may be bad; if you write a hundred, you have the odds in your favor.” ~ Edgar Rice Burroughs

The age-old writing advice: write as often as you can. Where you can. When you can.

I was talking to my local writing group friends the other day and it dawned on me that I write in snatches. At the time, I hadn’t thought much about how and when I write.

But it is important, I realize now, to be aware of this, because then it is possible to improve the routine for a better quantity and quality of writing.

I wake up first thing in the morning and write for ten minutes before I freshen up. Dream journal, whatever.

I write while waiting for a cab I have called. Write while waiting for the pasta to boil. Write a post based on writing prompts.

I do sit down and write an hour or so every once in a while, a few times a week, and usually get an average of 4000 words written a week. So, I have learned not to complain.

I know I haven’t yet made it to the stage of discipline where I sit down and write every single day at a particular place. My favourite writing days are those when I get a lot done in snatches, finish a story, for example, or do a series of writing exercises.

I’m getting a few short stories published in Antologies here and there, but I wonder if my sort of writing routine would be any good for longer stretches of work. Since most of the girls on this blog are novel-writers, prolific ones at that, I’m curious. Is it possible to write a novel in snatches?

How do you write? How often? What is your writing routine?

Fire Petal Bookstore Tour

Michelle Witte has opened a bookstore for children and teens in Centerville Utah and we would like to offer up our support. Please visit Fire Petal‘s site and offer your support of this great effort.

Good luck and best wishes to Fire Petal Books and Michelle!

Let us know, in the comments, what you’re doing to share your love of books.

Read. It. Aloud.

In reading words and sentences to pronounce them out loud, we use additional parts of our brains, and I think that’s what makes us more aware of the actual content of the sentences than when we’re reading silently. Necessarily, there’s a tighter focus, too, and less tendency to skim and skip.

As I mentioned, I hadn’t been in the practice of reading my stuff aloud. I now regret that I haven’t been. This epiphany is due to creating podcasts for my latest novel, The Vampire Kitty-cat Chronicles. The manuscript was copyedited by a reasonably sharp-eyed colleague who performs that function for the university where I work. It was read by my sharp-eyed English-major wife. And I read it again and again and again before publishing it, both in manuscript form and in book form.

Yet reading it aloud has uncovered at least a dozen typos and other linguistic mistakes. Argh! Despite all the care and attention, there they embarrassingly were. I’m almost finished with the podcasts, and will load a revised version into the POD supplier, Lightning Source, when I’m done. Because it costs $40 for me to make that change, current copies purchased will have glitches in them. (Maybe they’ll become collector’s items—get your copy from Amazon today!)

On the other hand, there’s a good chance the errors will go unnoticed. After all, they escaped the beady-eyed gazes of people who were on the alert for goofs. I also think that the nature of the narrative is a factor. There’s plenty of humor to distract you, not to mention seeing the world through a cat’s eyes, and fast-paced action that becomes quite involving. Readers (not all, it does have its critics) speed through the story, constantly racing forward to find out what’s going to happen next in the madcap tale. I like to think that, in a way, quality of storytelling is the culprit.

The goofs have primarily been just that—goofs. A typo now and then. A word out of place. Once a description that didn’t make a whole lot of sense.

Here’s an interesting sidebar: I use contractions in the narrative quite a lot, partly because it’s in first person. However, in reading it aloud for the podcast recording, I found that the rhythm and sense of the words play better when the contractions revert to whole words. I’m not going to change them in the typeset narrative, but, when I record, I find myself de-contracting the contractions more and more.

And guess what—I’m finding a word missing now and then, some hidden echoes, and other glitches that have not been seen by the same crew that missed those in vampire kitty-cat—the wife, the editor, and myself. Just this morning I found a line that had a character finishing a beer—only I’d cut the earlier reference to him having one! Argh!

(I’m still interested in finding beta readers for this book. Here’s ad copy I’ve composed about We the Enemy: “Madmen, madchildren, and criminals kill us with terrifying firepower. Revolving-door law spits felons back onto streets uncaught, unreformed. But maybe there are ways to change. A gripping ride in a unique speculative thriller that sparks thought.” If you’d like to give it a read and give me feedback, email me at ray at ftqpress dot com.)

On the positive side, I’m still confident of my narrative ability. I’m finding that the prose reads well and is involving, and doesn’t need much in the way of revision—but I am also seeing ways to clarify now and then, which means a better read. This reinforces the lesson I learned with the kitty-cat novel—storytelling and writing craft abilities aside, my ability to get it right is only 98 percent accurate. Read it aloud. A valuable and humbling lesson learned. I’m going to do it with the other WIP that’s been “finished” for years, Finding Magic.

I ignored this advice for years, to my detriment. So why not do this? Take a couple of chapters of something you feel is polished and tight, right now, and read them aloud. If you don’t discover anything, excellent. But it you do . . .

For what it’s worth.

Jane Austen once said, “write what you know.  Places you have been, people you have observed.”  That is all of the quote that I can remember, but it stuck with me.  I love history, but I was not around to observe older times.   If I try to write a story that is older than my grandparents, it sounds false.  I have been a bit more successful with my grandparents and parents generations because I have observed them, heard their stories, seen the places they are talking about.   I actually love my characters that are based on them.  I prefer to write stories that are placed in their generations.  My question then is what is your poison?  What generation do you like to drink from for inspiration?  Tell me about your characters in that generation.  Just a fun share with everyone.

Thanks,  Brenna

Registrations for our 2010 Muse Online Conference is now open.

Date of conference: October 11 – 17, 2010

The deadline to register for the Muse Online Writers Conference is August 15, 2010. On August 16 until the first week of September there will be a late registration fee of five dollars.

If you have friends who might be interested in joining us, please let them know that they can register now for free and avoid the late fee.

The registration link is:
http://www.themuseonlinewritersconference.com/Registrations.html