Platform Project Part Two

Rachelle Gardner, a top literary agent (as I’m sure you know) stated on her blog recently, “I almost wanted to announce that I’d no longer accept queries from anyone who doesn’t already have a good solid head start on a platform. (I won’t draw such a clear line in the sand, but consider yourself informed.)”

This quote leads perfectly into the second part of my ‘platform’ series. To expand on a promise from last week, a great way to get exposure is to guest blog on your favorite sites. As I already mentioned, just send your stuff in. Simple enough. Don’t be afraid of rejection. In this business, those (dreaded) things should eventually just roll off our shoulders. Why not practice that move now? Not a big deal; there’s always another avenue, another opportunity.

Here’s one specific opportunity for you—write a blog (or blogs) in your genre or area of expertise, and find a way to slip your name into it. Go even further and put your name in the title and a link to your home page in the article somewhere. Then submit it to Ezine Articles.
Lisa Barone, from last week’s blog, states that Ezine is a “great place to establish authority and build your personal brand, as it’s arguably the most cited article directory on the Web.” There you go!

There are a couple of other things you can do to build your platform, but I’ll leave those for you to discover. I’m going to move on to the next crucial part of all this. Alysson Fergison from DirJournal Marketing Articles helped out here.

So, you have all these sites and networks set up. How do you know that all of the information on them, or information written about them (i.e. you) is correct? You don’t want to do all this work just to have your good name tarnished, right? Well, there’s a way to keep track of it all. Just consider me, Eden Tyler, your solution ‘girl.’ (See how I did that—link and all?! Of course you’ll do a better job. You won’t be quite so conspicuous.)

The first, and easiest, way to track involves Google, not surprisingly. They seem to do it all, don’t they? (Heck, I even use their phone!) Google Alerts take only seconds to set up—I know because I just did it—and it notifies you via email on any topic about which you’d like to monitor. You can control the width and frequency of the search quite easily. I just typed in Eden Tyler (that one was better—plus I got the chance to plug my second blog), and it will search for any updates throughout the day, including any potential negative content.
Yahoo! offers the same service — Yahoo! Alerts. Simple to use and simple to remember.
Here’s one last one I found. If you are a Twitter user, search your name regularly using Twitter Search.
Cake. The only drawback is that none of these systems are very in-depth as to the information they are able to give.

That leads us to another way to monitor your online reputation. RSS feeds. There are many options for this, such as Technorati, Google News, and Yahoo! News. Like Google and Yahoo! Search, these sites allow you to receive feeds about any topic you’d like. The shortcoming here is that you have to log in every day and check the results yourself.

There is a site that is simpler, though. BlogPulse offers something called “Search the Blogosphere,” which allows you to subscribe and receive daily updates via RSS. Much easier. And with all the information I’ve given you, simple seems to be the best choice. At least that’s what I’m choosing. Because, heck, if we spend all our time on our brand/platform, when are we supposed to find time to write? Right?

I hope you found this helpful rather than confusing. I’m a bit loopy from all the information, but the point was for me to be the only one to end up that way. You all should have it a lot easier.

I’m wishing you luck in this and all endeavors! Most likely, I’ll have a new project for you soon…. (Eh.. Let’s hope not—this was work! I’ll try for fun next week.)

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Eden Tyler
Picture of Eden Tyler

Since winning her first writing competition at a young age, Eden Tyler, has only fallen more in love with the written word. She uses her English, Psychology, and Sociology backgrounds to create depth to her own stories and novels while contributing to and running websites about writing. This is what fulfills her, along with working as Co-Editor for Fuel Your Writing, but she also enjoys the freelance work that puts food on the table (and that ever-essential roof overhead) for her family.





Build up that Platform!

I’ve been rather concerned about my platform as of late. To be quite honest, I wasn’t aware until a couple weeks ago that I even needed one. I’m thankful I was already well on my way to creating one, though, or else I would have been overwhelmed by the insane amounts of information out there about platforms and brands.

A few days ago, I came across www.dirjournal.com while searching for an image on Google. (I needed a Twitter logo to put on my personal blog to announce I had finally joined.) Well, this site I found is rather interesting and informative — it’s called DirJournal Marketing Articles and is all about “Design Trends, Internet Marketing, SEO, [and] Social Media Marketing.” Thankfully, three authors on the site, including Lisa Barone, were kind enough to break it down in about four articles. In turn, I’m going to attempt to make it simple for you all, as well, so you can go about creating your platform or making it even bigger and better than it already is. Here’s hoping I can make it a little less overwhelming for you. I will start this week with Lisa’s article, and then next week, I’ll delve deeper. Initially, I was going to put all the information into one blog, but as I began writing, I quickly realized that this is a serial article. So stay tuned.

First thing’s first. What is a platform? And why do we, as writers, need a platform, or brand?
Well, put simply, it’s how you are represented on the internet, and you need one so that people know who you are. Most likely, no one is going to read books written by an author who hasn’t made what s/he is all about readily available. You want people to know you and your work. And you want to show yourself in the best light possible. It’s also important that the information you put out there is garnering a lot of attention.

So, if you don’t already have a blog or a home page, get one. That should be #1 on your list. I have a WordPress blog and I recently purchased the domain name edentylerwriter.com for only $14.97/yr. Rather affordable, I believe. And well worth the money because when others do a Google search for your name, it will be easier for them to find you this way. Be vain. It’s worth it.
Next step is to set up a Google profile. Every time I do a search for “Eden Tyler,” my Google Profile shows up at the bottom of the first page, without fail. On this profile, you are able to tell potential readers anything and everything you’d like them to know about yourself, and you can also set up links to all of the websites you are involved with, or own. Most of us most likely have one of these already, as even this site has a ‘following’ which you can join through the use of your own Google profile.
After you’ve accomplished the two most important things, you now should join as many social networking sites as you can. These include LinkedIn, Naymz, and Facebook, among others. Make sure you seem as professional as possible when using these sites and join up with others in your chosen career path. Network and learn. Of course you can have fun, too. Twitter is a little less formal and doesn’t have to be used just for writing contacts. Nor does Facebook. But sites such as LinkedIn are a lot more professional. In fact, Lisa set aside an entire section of her article just for LinkedIn. She feels it’s that important to have a profile on the site because it ranks rather highly during Google searches. I have not set up a profile on the site yet, but it’s my next order of business. I believe it’s one of the first two or three results that pop up when searching my name. Unfortunately, there is already a semi-famous Eden Tyler (a male, NYC-based director), so his information shows up rather than mine. This needs to be fixed. Pronto!

One last step, which I will explain in further detail next Friday, is to guest blog as often as the opportunity is made available to you. Don’t be afraid to ask site owners if they need any help. Send in examples of your work and see what the responses are. The worst that can happen is people say, “No.” But it could also be a nice and easy way to get your name out there. Acquire some followers. Usually, these aren’t paying gigs, but we’re not quite to that point yet. Baby steps.

Hope this helps you all arrive a little closer to your writing goals. See you next week for another installment.

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Eden Tyler
Picture of Eden Tyler

Since winning her first writing competition at a young age, Eden Tyler, has only fallen more in love with the written word. She uses her English, Psychology, and Sociology backgrounds to create depth to her own stories and novels while contributing to and running websites about writing. This is what fulfills her, along with working as Co-Editor for Fuel Your Writing, but she also enjoys the freelance work that puts food on the table (and that ever-essential roof overhead) for her family.





Your first five pages.
Apparently, as I’m sure you’ve all heard, the first five pages are the most important of any in our books or stories. To tell the truth, the first five sentences are even more important, or so says Noah Lukeman, in his book The First Five Pages:  A Writer’s Guide to Staying Out of the Rejection Pile.
It’s a given that an established, known author will get read no matter what. The agent, editor—whoever—will be looking for only good things, even overlooking faults.
We unpublished authors, on the other hand, aren’t so lucky. Most likely, our work will be read by an intern who has read so much s/he wants to scream, or by an assistant editor who feels about the same—and both of these types usually only have one thing on their minds. Get through the slush. Just get it done. They are looking for anything and everything that is wrong with a manuscript so they can toss is aside and move on to the next, therefore slowly shortening their pile.
It’s been said before by many different people, and it’s absolutely, positively, categorically true—There are no great writers; there are only great re-writers. And that is what will help get your manuscript read and passed on. Not shredded nor recycled.
Re-writing, of course, comes down to editing. Line by line edits. Focus on your first five lines and go from there. If you hook your reader (i.e. agent/editor/publisher), s/he will continue. Until there’s a problem. So, make sure there are no problems. Easier said than done, I know….
In order to do this type of editing to your own work, tell yourself that you are, in fact, a writer. An author. Make sure you have confidence. Don’t doubt for a second that your work is worthy of being on the shelves next to the greats. Once you have that, the rest is simple busy work. Truly. It’s just inspecting your work to make sure it’s up to par. Even if you think it‘s perfect, keep checking it.
Reading Mr. Lukeman’s book taught me why the first five pages are so ridiculously important.
First of all, whoever is reading your work doesn’t have time to dissect any more than that if it’s not what s/he is looking for.
Secondly, and most importantly, if said reader finds anything wrong on one page, s/he can pretty much assume that the same problem will show up on the next page, and the next, and the next.
So, curb your superfluous adjectives and adverbs. Don’t explain more than necessary. In fact, don’t explain at all. Show through action, whether it be actual, physical action, or dialogue, or a character’s realization of something. But, don’t overuse dialogue to convey your point or feeling. Don’t mess up your grammar. Get a good sense of semi-colons, colons, dashes, and most definitely, hyphens. Don’t have a boring rhythm. Make sure your sentence length varies. Don’t use more words than necessary. Break all sentences into the smallest version possible so they work the best way they can. Make your words work to your benefit. Even the most seasoned writers must do this. Don’t, don’t, don’t. Depressing, huh? But, unfortunately, it’s what we have to deal with.
Once you get sick of all the don’t’s, and your words start running together into an unreadable soup, find beta readers. Use them to your full advantage. Even if only one reader suggests one word that should be changed, it’s worth it. Every word counts. It can be difficult and disheartening, but we unpublished authors are swimming against the current, as it goes. We have to prove ourselves. We have to be that one gem that stands out and is pure perfection.
If you can get those first five pages—the first five sentences—exactly as they should be, and then work from there, you’re doing great! If you can make those first pages just as they should be, it’s much easier to find the faults in the rest of your work. Once you know what wrong and what‘s right, it’s simple to tighten up the rest.
So, get to work on that. Don’t get disheartened. Remember, you are working on something great and worthwhile. Give your writing massive amounts attention and love because it deserves it. And so do you. You deserve to be published if you’ve put that much heart and soul into your work. Then, query away. And get that phenomenal work published. But please don’t forget us little people if you make it before we do!
Just promise to come back and give us your tips and tricks….
Apparently, as I’m sure you’ve all heard, the first five pages are the most important of any in our books or stories. To tell the truth, the first five sentences are even more important, or so says Noah Lukeman, in his book The First Five Pages: A Writer’s Guide to Staying Out of the Rejection Pile.
It’s a given that an established, known author will get read no matter what. The agent, editor—whoever—will be looking for only good things, even overlooking faults.
We unpublished authors, on the other hand, aren’t so lucky. Most likely, our work will be read by an intern who has read so much s/he wants to scream, or by an assistant editor who feels about the same—and both of these types usually only have one thing on their minds. Get through the slush. Just get it done. They are looking for anything and everything that is wrong with a manuscript so they can toss it aside and move on to the next, therefore slowly shortening their pile.
It’s been said before by many different people, and it’s absolutely, positively, categorically true—there are no great writers; there are only great re-writers. And that is what will help get your manuscript read and passed on. Not shredded, nor recycled.
Re-writing, of course, comes down to editing. Line by line edits. Focus on your first five lines and go from there. If you hook your reader (i.e. agent/editor/publisher), s/he will continue. Until there’s a problem. So, make sure there are no problems. Easier said than done, I know….
In order to do this type of editing to your own work, tell yourself that you are, in fact, a writer. An author. Make sure you have confidence. Don’t doubt for a second that your work is worthy of being on the shelves next to the greats. Once you have that, the rest is simple busy work. Truly. It’s just inspecting your work to make sure it’s up to par. Even if you think it‘s perfect, keep checking it.
Reading Mr. Lukeman’s book taught me why the first five pages are so ridiculously important.
First of all, whoever is reading your work doesn’t have time to dissect any more than that if it’s not what s/he is looking for.
Secondly, and most importantly, if said reader finds anything wrong on one page, s/he can pretty much assume that the same problem will show up on the next page, and the next, and the next.
So, curb your superfluous adjectives and adverbs. Don’t explain more than necessary. In fact, don’t explain at all. Show through action, whether it be physical action, or dialogue, or a character’s realization of something. But don’t overuse dialogue to convey your point or feeling. Don’t mess up your grammar. Get a good sense of semi-colons, colons, dashes, and most definitely hyphens. Don’t bore with a lack of rhythm. Make sure your sentence length varies. Don’t use more words than necessary. Break all sentences into the smallest version possible so they convey the best way possible. Make your words work to your benefit. Even the most seasoned writers must do this. Don’t, don’t, don’t, don’t, don’t. Depressing, huh? Well, unfortunately, it’s what we have to deal with.
Once you get sick of all the don’t’s, and your words start running together into an unreadable soup, find beta readers. Use them to your full advantage. Even if only one reader suggests one word that should be changed, it’s worth it. Every word counts. It can be difficult and disheartening, but we unpublished authors are swimming against the current, as it goes. We have to prove ourselves. We have to be that one gem that stands out and is beyond fabulous.
If you can get those first five pages—the first five sentences—exactly as they should be, and then work from there, you’re doing great! If you can make those first pages just right, it’s much easier to find the faults in the rest of your work. Once you know what wrong, it’s simple to tighten up the rest. To make your work perfectly presentable.
So, get to work on that. Don’t get disheartened. Remember, you are working on something great and worthwhile. Give your writing massive amounts attention and love because it deserves it. And so do you. You deserve to be published if you’ve put that much heart and soul into your work. Then, query away. And get that phenomenal work published. But please don’t forget us little people if you make it before we do!
Just promise to come back and give us your tips and tricks….
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Eden Tyler
Picture of Eden Tyler

Since winning her first writing competition at a young age, Eden Tyler, has only fallen more in love with the written word. She uses her English, Psychology, and Sociology backgrounds to create depth to her own stories and novels while contributing to and running websites about writing. This is what fulfills her, along with working as Co-Editor for Fuel Your Writing, but she also enjoys the freelance work that puts food on the table (and that ever-essential roof overhead) for her family.





A Song for Sunday
Lie – David Cook
“You’re hiding regret in your smile
There’s a storm in your eyes I’ve seen coming for a while
Hold on to the past tense tonight
Don’t say a word, I’m OK with the quiet.
The truth is gonna change everything.”

Lie – David Cook
“You’re hiding regret in your smile
There’s a storm in your eyes I’ve seen coming for a while
Hold on to the past tense tonight
Don’t say a word, I’m OK with the quiet.
The truth is gonna change everything.”

*****

*So, this song gets to me every time I hear it. And I doubt I’m the only one.

I’ll bet others on here have wanted a boyfriend, girlfriend, heck–even a close friend to stay. Just one more day. One more night.
To ‘lie’ a little bit longer.

How would a character of yours react/deal with this situation?
Write a short story depicting his/her pain and progress–or downfall. I’ll post mine in the comments, as well.
Have fun with this!

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Eden Tyler
Picture of Eden Tyler

Since winning her first writing competition at a young age, Eden Tyler, has only fallen more in love with the written word. She uses her English, Psychology, and Sociology backgrounds to create depth to her own stories and novels while contributing to and running websites about writing. This is what fulfills her, along with working as Co-Editor for Fuel Your Writing, but she also enjoys the freelance work that puts food on the table (and that ever-essential roof overhead) for her family.





New Girls With Pens!

Today, we’d like to Welcome two more Girls With Pens!

Suzanne M. Palmieri

and

Eden Tyler

bonce-on-couch

We are so happy to have them!


And if you are interested in guest blogging about writing, please contact us. We’d love to hear from you.

girls-with-pens

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SNAP TO

Go with your gut. Always. Never question it.

This is what I’ve learned. A hard lesson that took about a month to make its way through my thick skull.

Being a first time novelist, I believed that everyone had something to teach me. I was willing to take advice from anyone who offered, and run with it.

Run, I did. New York marathon entrants had some tough competition at the time.

Thankfully, this writer became tired. And frustrated. My book was a mere shadow of what it once was. Granted, it needed work in the beginning (and let’s face it, it’s still kind of the beginning-and still needs work). But, I took helpful, friendly advice entirely too far. Advice that didn’t even always make sense to me.

Alexis’ story became a farce of sorts. A movie, even. Someone recommended I approach my novel as such. What?!??!  That was one piece of advice I didn’t take, yet it ended up happening. Everything I loved about Alexis, and my other characters, was trashed simply to make The Abandoned Edge of Avalon more ‘commercial.’ More agent ready. More publishable. Right….

After about ten revisions, my book was practically all action and dialogue-with no depth. Yes, a good hook at the start is obviously important. Questions that force the reader to continue should be presented as soon as possible. The story should start where it starts-not twenty, fifty, nor even five pages in. Well, I took that to an extreme.

A pivotal scene that once occurred a few chapters in, I pushed forward to the third paragraph. Yes, the third paragraph. Where is a reader to go if everything is answered and put on the page right away? To a different book-that’s where. Not a good thing. That scene is now back where it belongs.

I have found that if I don’t believe in my own work, no one is going to.

I read an excerpt from a book recently that helped me ‘snap to.’

Writers write for the readers, correct? We don’t write for the editors, agents, nor the publishers. The readers are the ones who will ultimately buy our books. If a person is not a reader in the first place, don’t force them to be. Write for people who are apt to pick up a book. Do not go for shock factor just to gain readership.

Write for the words, the style, the feel, atmosphere, along with many other reasons. Mostly, write for yourself, and the reader will know your heart and soul.

I admit I sold out for a short while, and I’m rather ashamed. I lost myself by listening too much to others. But, I’m back on track and my book pleases me again. It seems to be pleasing my readers, as well. And that’s what all of this is about.

Please, learn from my mistakes, and set yourself free with your words and ideas!

Eden Tyler

Eden Tyler has written all her life. She attended Purdue University to pursue degrees in both English Literature and Psychology. Jumping from job to job over the past ten years, she finally settled down with a family. Now that she’s able to stay home with her young daughter all day, she is attempting to write a full-length novel. It is a Young Adult Urban Fantasy titled, The Abandoned Edge of Avalon.


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