This week, I was lucky enough to have editor and author, Ray Rhamey, decide if my work was worthy of a read. Was my writing up to par? Could I make him turn the page?
I allowed Ray and others to decide if I had a strong enough beginning to make them read on. The first sixteen lines of both my prologue and my first chapter were posted on his website, Flogging the Quill (FtQ), for all the (internet) world to see and judge.
Was this bravery or stupidity?
I think I was brave—for what it’s worth… ![]()
One cannot gain without first giving up something, right? In this case, and in Sarah’s (who did the same thing a few weeks ago), something great came of the risk.
I learned that while my writing is strong in and of itself (basically no grammatical errors), I could stand to improve. And I knew that. But now I know how—or at least have different suggestions on hand to work with … since I’ve learned to take all feedback with a grain of salt.
Going into this critique, I knew my first chapter wasn’t going to pass the test, but was fairly sure my prologue would. Eh, it was half and half for both, barely—sort of. Ray turned the page of my prologue. He read on in the first chapter strictly because of the prologue. But he did say my work was something he would’ve liked to have read more of… So who knows?
All I know for sure is that my doubts about my first chapter were founded, and that even though my prologue seemed great, it could use improvement. More clarification. More of a sense of the evil involved. Just more, you know?
With Ray’s phenomenal notes he sent me and what was posted on the page by both him and other writers, I already have a far better version of the prologue. But he’s so phenomenal in how he edits that he didn’t take away my voice. It’s still my work—my words, my style, my pacing, my cadence, my everything—but more. It’s more good. Yes, I did just write that. OK, so my prologue is better (is that better?).
If any of you feel like checking it out, have at it, but just know my work has already improved.
I suppose the point of this post is to make others aware (although you should already know!) of the fabulous Mr. Rhamey’s site and book and his excellent advice.
But I also want to see how you all feel about editors and others critiquing your work. We’ve had two critiques on here, so this also my way of questioning what you’ve thought of those!
Is it too risky to throw yourself to the world, where you can possibly lose yourself in the process? Can you lose your voice and your plan for the story?
Or is it an invaluable tool that everyone should take advantage of?
My vote is for the latter.
How about y’all?
{Oh, and what about a first page critique – first sixteen lines? We’ve done the first five sentences and the first 500 words plus query, if one was available—but what about the first ~230 words? (The first page of an average paperback.) Can you get readers to read on to that oh-so-important second page??}
Thoughts….
Since winning her first writing competition at a young age, Eden Tyler, has only fallen more in love with the written word. She uses her English, Psychology, and Sociology backgrounds to create depth to her own stories and novels while contributing to and running websites about writing. This is what fulfills her, along with working as Co-Editor for Fuel Your Writing, but she also enjoys the freelance work that puts food on the table (and that ever-essential roof overhead) for her family.
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6 Comments so far
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I love Ray! He has helped me tremendously over the last year and a half.
And we can do the first 230 words.
But we need to remember, the beginning of each chapter needs to be this way. I have to read through mine to see if each chapter is gripping enough to keep the reader going.
[Reply]
By Sarah on 08.07.09 10:36 am | Permalink
True! It’s a lot of work to keep your readers interested. I didn’t even think about the next chapters yet ahhh! haha
And I think that could be a good critique. Or maybe, since we’ve spent time on beginnings already, we could all submit a later chapter and see if the first page of it works…
[Reply]
By Eden on 08.07.09 10:48 am | Permalink
I think that’s a great idea.
We can do the start of a chapter. Maybe also one on does the last 230 words make you want to turn the page and keep going, too.
[Reply]
By Sarah on 08.07.09 12:08 pm | Permalink
Ooh, that’s a good idea too!!
Because it’s the end of a chapter that gets the reader to move on to the next. I know I tend to read to the end of a chapter before I put a book down to do something else, but if the end makes me read on…well, that says something for the book. So it’s definitely important!!
Good stuff here =)
[Reply]
By Eden on 08.07.09 12:20 pm | Permalink
The end of each chapter is definitely important! If you make it too good a stopping point, people will, well, stop.
I know I do. But you don’t want it to have a really gimmicky-seeming hook, either. It can be really tough!
[Reply]
By Anica Lewis on 08.07.09 2:43 pm | Permalink
Here’s the thing about Ray, though. Based on his bio, he’s a well-established professional editor with a great platform, yet he’s written five novels and hasn’t been able to get any of them published yet. I know it’s hard to get published these days, but still — I’m not sure I’d go changing my novel based solely on his say-so. With all respect to Ray, if he hasn’t managed to get his own novels published, I’m not sure he’s going to be able to tell someone else how to get hers published. I’d take his input as just that –input — not the holy grail of writing advice.
As a fellow aspiring novelist, I wish you the best of luck with your novel!
[Reply]
By Gail on 10.15.09 7:20 pm | Permalink
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